So far this year, there aren’t actually that many albums in my favourites yet. Among them are true standout records, The Composite Moods Collection by Dalhous and Clark’s soundtrack for The Last Panthers. Taken from the latter, Chris Clark has posted a video on his website, a medley of songs from the album recorded during a live session in Copenhagen.
“The Last Panthers” was released in March 2016 on Warp Records. It’s available in all major formats on the Bleep store, as well as Boomkat, HHV or Clone
When I first saw the haunting trailer for Beyond The Black Rainbow, I was blown away by the visual language of the Panos Cosmatos-directed dystopian sci-fi movie. It took at least 9 months until I could get my hands on the full movie, but my expectations where soon disappointed by the movie’s weak narrative. What did leave an lasting impression, aside from the 2001: a space odyssey-inspired visuals, is the soundtrack to the movie. Back in 2011, I came across an interview with composer Jeremy Schmidt of Canadian stoner rock band Black Mountain, in which he expressed his hope for a physical release of his music. It took another three years for this wish to fulfill and I couldn’t think of a better label to release the music than soundtrack specialists Death Waltz (it’s out on Jagjaguwar in the US.) Together with Mica Levi’s music for Under The Skin, this makes for one of my favourite soundtracks to come out in a while.
A limited vinyl pressing and the digital release are available as of now, I’ve spotted both on Bleep and the stream on Spotify.
We first mentioned the Outliers Vol. 1 project in September 2011. In short, a group of photographers, filmmakers and musicians set out to explore Iceland and make a documentary. Los Angeles-based producer Deru is curating the soundtrack and below you can listen to a track made by Sweatson Klank.
To find out more about Outliers Vol. 1, watch the trailer and follow the project on Facebook. The documentary will be premiered in Chicago on July 10th, if you’re in the area get your tickets!
While 2009 was a flourishing year for new and exciting music, it didn’t look so good for movies. Unsurprisingly, my favourite movies of last year were both “just” documentaries, Man On Wire being one of them. For music fans though, there were a few cinematic highlights I want to mention.
One of them is Soul Power, a documentary exclusively composed out of film material from the legendary music festival Zaire 74. It is already out on DVD and BluRay and is was a gift for subscribers of Shook Magazine. The second movie is Still Bill (trailer), a documentary on Bill Withers. Unfortunately, I was not yet able to watch this one, as it should be hard to find a cinema screening the film. Rumour has it, a DVD will be out in May 2010.
TV had some good stuff to offer as well, or at least I’m aware of these two great documentaries on BBC Four. Celebrating the 50th anniversary of the Kind of Blue album, 1959: The Year that Changed Jazz not only focuses on the most famous Miles Davis record, but also portraits jazz musicians Dave Brubeck, Charles Mingus, and Ornette Coleman. Another recommendation is Krautrock: The Rebirth of Germany. As the name suggests it tells the story of bands such as Can, Kraftwerk, Faust, Neu! and Amon Düül and how they pioneered the music in post-war Germany. You can currently watch that one on YouTube, but you should consider it could be deleted soon.
Now, what I really want to talk about today, is the movie Black Dynamite. That’s a Blaxploitation film from last year, that comes astonishingly close to the originals from the seventies. It’s quite simple to decide whether that’s your type of movie – if you like the trailer you will like the movie.
The reason it works so well, is the producer’s affection to recreate a movie as if it was shot in the peaktime of the Afro-American movie phenomenon. It’s not a bad remake like the 90’s version Shaft and it’s a more consequently adaptated than anything you have seen from Tarantino. It doesn’t try to be anything better one of these a vintage films, it’s just as trashy as the originals.
Another reason why the movie has this authentic feel is its music. Like the picture, it’s no collection of old, instead all tracks were exclusively written and arranged for the film. Wax Poetics has this video putting you in the picture of the recordings of the music.
Both soundtrack and movie score are available on limited vinyl pressings (2000 hand-numbered pieces). And they sell fast for a reason! If you shouldn’t be lucky to get copies (try Juno and Rush Hour), there are also digital releases available.