London’s Mr Beatnick completed his trilogy of EPs on Don’t Be Afraid with Savannah, the most versatile in the series.

French producer Onra teamed up with long-time collaborator Buddy Sativa to record a spiritual jazz album. More about that in our review.

When Fact Magazine posted their list of 30 overlooked techno albums, that got me thinking about Mark Bell’s 1995 album on Planet E, a then-popular album that many forgot about.

Following her self-titled EP released last year, Edrina Martinez aka Astronautica released a new album on LA’s Alpha Pup imprint.

Tomorrow, our good friends at Error Broadcast will release their first album. Read what we think about Soosh‘s debut.

Ameliorating away from his earlier releases, Samoyed has proven his worth amongst his contemporaries with this new two-track EP.

A couple of days ago, Cologne’s ava. released the collaborative mini LP by Damiano von Erckert and Tito Wun aka Twit One.

Matthew Halsall’s Gondwana Records label just released the debut album by GoGo Penguin, a jazz trio in Manchester. Read all about it.

Following his debut on Daedelus’ label, My Dry Wet Mess returns with a new album on Brainfeeder. Read what Gavin Kendricks thinks.

The collaboration between Daisuke Tanabe and Kidkanevil has been in the making for a while now, but it was well worth the wait. Read about it in the review.

If you still haven’t heard about Thundercat‘s album by now, here are some words on his debut album on Flying Lotus’ ever surprising Brainfeeder label.

It’s always a delight, if you get hooked on a album you didn’t see coming or by an artist you haven’t followed. In my case that was Hyetal‘s fantastic debut album on Black Acre.

A year from today, I expressed my disappointment about the latest album from Gil Scott-Heron. Luckily, Jamie xx makes it all up with his own interpretations of the record.

Considered by many as the first attempt at broken beat, the duo of Dego and Marc Mac released this track in 1996 on their own Reinforced imprint.

Brighton’s Ital Tek released his second album on Planet Mu some weeks ago, a rich and highly melodic piece of work.

As the first artist to not come from the city of angels, Lorn‘s debut on Los Angeles based Brainfeeder is just around the corner.

Here’s a late review for the great debut album by Gonjasufi, released two months ago on Warp Records.

Next Tuesday, the new album from Daedelus will be out on the Brainfeeder label. I had the chance to listen to it for the last couple of weeks.

It’s been difficult to write a bad review about the biggest musical icons in my life, but unfortunately the latest from Gil Scott-Heron is a huge disappointment.

There hasn’t been an album review in a while and Kieran Hebdan’s new Four Tet LP makes a brilliant first candidate in 2010.

Pollyn is a Los Angeles based trio with their second single about to be released. It features remixes from Débruit, Blue Daisy and Sid Roams.

Amsterdam’s Mike Kivits must be considered one of the best in the city’s rich music scene and luckily he is also very busy to maintain this status. His debut on the Eat Concrete label came out last month and it’s his 4th solo album already.

It was only this summer, that I first listened to Dave Huismans’ debut under his 2562 moniker, 2008′s Aerial. As I didn’t want to make that mistake again, I followed all news about its successor and eventually got hold of a promo copy of the new album Unbalance.

Silkie’s debut album on Mala’s Deep Medi label came out at the end of July, which is probably the reason why it didn’t get much attention outside the dubstep scene.

Mary Anne Hobbs’ third compilation on Planet Mu will be out this Monday putting the spotlight on the worldwide scene between “wonky” hip-hop and dubstep.

Following last year’s acid-soaked rave album Where Were U In ’92?, London’s anonymous producer Zomby keeps on twisting the genres on his latest output.

The debut release on Alpha Pup’s new imprint Leaving Records is an item of interest for followers of the L.A. beat scene and collectors of rare items alike.