For the most observant of our long-time readers the name Abby Lee Tee might ring a bell. The Austrian producer hailing from the city of Linz has been making beats for a couple of years and most recently released an album title “By accident” with guest spots by Mieux, Affine-signed Wandl and Ritornell-collaborator Mimu Merz. What follows is an interview with the man, spiced up with snippets from his new record and lastly his guestmix.
First of all, can you start by introducing yourself?
I’m a musician (producer & DJ) living in Linz, a tiny town in Austria, despite being the country’s third-biggest city. Beside any kind of sound, records and odd instruments, I’m also in love with silence, visual arts, books, my cats & otters.
I always like to ask about two key moments: do you remember the first time that you responded to music and when was it clear to get involved in makingmusic?
One of my first memories concerning music is my mum listening to Santana’s Black Magic Woman. Also, my older brother used to listen to some nice jazz records back then. Later on I got in touch with hip hop, mainly through skateboarding, radio and music television. Soon after I bought my first turntables and became part of the hip hop group Hinterland, leading from there to music production and a growing interest in other genres.
Tell us about an ordinary day in your hometown, Linz. What’s the city like?
As it’s not the biggest city (about 200k inhabitants), there’s not too much distraction, which makes it a good place to work for me. But for it’s size, Linz also got a remarkably big (independent) art scene, nearly everyone knows each other after some years of living here and you see a lot of different people (from different genres) collaborating with each other. While you can enjoy the river Danube’s beaches and the woods just minutes away from the centre, it’s also only a short hop of a bit more than an hour by train to vienna. And I still find interesting music at the local (second-hand) record stores.
You run a night called “the future sound”, how did this come up and who’s playing at your parties?
Starting point was a night called “The Future Sound of Vienna” in 2010 with Dorian Concept. After that my friend F!no and I teamed up to continue cultivating this kind of sound with a monthly club night, which we’ve been doing for more than 5 years now, hosting artists such as Prefuse 73, Dimlite, Jeremy Ellis, Shigeto, Nosaj Thing, Floating Points, Flako an Julian Sartorius.
Your album “by accident” was just released. Tell us about the process and what it’s about.
While working on the album for the last 1.5 years I bought and tried to work with a lot of acoustic instruments. Besides, I’ve always been into field recordings. After using at least a couple of samples back in the days, I’m now completely stuck into using my own sounds only. The title “by accident” also refers to the more or less randomly layered field recordings, building the foundation of most of the tracks. Also, I’m pretty happy about the lovely collaborations with Wandl, Mimu, Mieux and GC (the latter being responsible for mix and mastering), plus the perfectly fitting visual concept (artwork, video, A/V-show) by System Jaquelinde!
And what’s next in music, is there any new work coming up?
Besides gigs and guestmixes, I’m back into making remixes , but really looking forward to use all the sounds I recorded during the last months preparing the release. And there’s a “by accident” remix-album in the making.
Lastly, tell us about the mix you recorded.
It’s a pretty wild mixture of stuff which inspired me while producing “by accident”, focusing on the more ambient and weird kind of records.
Subscribe (iTunes)01. Julian Sartorius – Tscholi
02. Kutin / Kindlinger / Kubisch / Godoy – Introspection
03. Sun Ra – Atlantis
04. Brainticket – Era Of Technology
05. Shaolin Afronauts – Abyssinian Suite Part 1
06. Slow Riffs – Gong Bath
07. Jar Moff – Commercial Mouth
08. Tim Hecker & Daniel Lopatin – Instrumental Tourist
09. Toju Kae – Buscheli
10. Mischmeister M – My Brain Is Mashed Eggs
11. Julian Sartorius – Huli
12. Abby Lee Tee – Efeu
13. LV – Quick Return
14. Holden – Self-playing Schmaltz
15. Flako – Gone (reprise)
16. White Noise – Love Without Sound
17. Dimlite – Zoo In Fluttering Red Pt. 1
18. Tim Hecker – Amps, Drugs, Harmonium
19. LV – Carillon
20. Ages – Chances (Abby Lee Tee Remix)
21. Zanshin – Esmeralda The Swift
22. Downliners Sekt – Hors Phase
23. Rolf Liebermann – Les Echanges
24. E.S.T. – Contorted
25. Sculpture – Unhitch Your Program
26. Soft Machine – Out-bloody-rageous
27. Fred Jüssi – Lahemaa Lindude Hääli
28. David Fanshawe – Tarka The Otter O.S.T.
29. Yatha Bhuta Jazz Combo – Untitled (Afrojazz)
30. Stereokonzert Der Vogelstimmen – ?
31. Alfred Klapper – Hirschbrunft
32. Dimlite – Stromausfall (interlude)
33. Electric Egypt – Kundalini
34. Prefuse 73 – The Last
You can stream the full Abby Lee Tee album on his Bandcamp page, find more of his music on SoundCloud, and if you want to stay up-to-date, follow him on Twitter or Facebook.
In a recent post, Oli Marlow of underground music blog Sonic Router announced his “retirement” from writing (uhm, or something like that), focusing on the label side of the brand. The label achieved to release an impressive body of work in last three years or so, and continues perform strong.
Their latest release “Outlines” is the work of designer-by-day Broshuda, 10 tracks of deep electronic music, featuring a collaboration with label mate B£AMS and Dimlite.01. Altar
04. Decoy Unit (Skit)
06. Champagne (Skit)
07. Celebrity Skin
08. I Never Had A Sega
10. Show Me The Way (Outro) ft. B£AMS & Dimlite
Available from Bandcamp on black tape and digital.
Apart from the music, the box-set contains a 36-page booklet, poster and download codes. You can buy it directly from the Grönland store, Amazon (UK / US), or HHV. However, unless you’re a huge fan or collector with the necessary budget, I recommend seeking out the individual records on record fairs or online.
There’s little to say about a record with collaborators of the quality of MED, Blu, and Madlib. Nope, Madlib’s skills haven’t worn off. Yes, it’s great record. The incredible line-up includes guests such as MF Doom, Dâm-Funk, Frank Nitt, Oh No, Anderson Paak, Hodgy Beats… Why do I feel like trying to sell something that’s already sold?
Just go on, get your copy. Don’t let that fugly sleeve spoil the whole thing, just think about what Bo Diddley sang. You can buy this everywhere: Rappcats, iTunes, your favourite record store. Everywhere!
All I can leave you with are these two fantastic tracks taken from “My Name is Doug Hream Blunt”, the LP now available directory from Luaka Bop, and at your favourite record store. Oh, and iTunes… for the lazy ones.
Lawrence le Doux marks his return on Vlek with “Pollution”, his second 4-tracker on the label following 2013’s “Terrestre”. The title track of the new EP received this wonderful stop-motion video by La Superette, which we simply had to share with you!
You can pick up “Pollution” from the label’s Bandcamp store, your favourite record shop, or on iTunes.
I’m still not 100% with the last couple of Prefuse 73 releases on Temporary Residence, but this video —an animation by Lilfuchs— certainly caught my attention. The track is taken from this year’s Forsyth Gardens, released in April 2015 and which you can stream in full under the given link.
Gerd Janson’s impeccable taste in music is well-documented on two Computer Incarnations For World Peace compilations (I & II) and, of course, his DJ-mixes (make sure to check his appearance on the Hessle Audio show!) The spiritual successor to the mentioned compilations has to be the “Musik for Autobahns” series on Dutch label Rush Hour. Hot off the shelf, the second installment features the majestic tune by Leon Vynehall you can hear above. Reason for me to check, if not buy the record.
You can pick up “Musik for Autobahns” on CD and vinyl, directly from Rush Hour – or every good record store.
A couple of days ago, our favourite Viennese label Affine unveiled their 14th release, a 7-inch by Sixtus Preiss going by the name of “Lololo”. One of the two versions on the record was now graced by the video you can watch above, an brilliant montage of footage showing various musicians (presumably found on the internet.)
The flipside of the same record, the original version, can be heard below:
If you like what you hear, you can grab the entire digital release for only €2 or pay €5.90 for the vinyl. Both are available from the Affine shop on Bandcamp.
Every now and then, Santa Monica’s KCRW radio station hosts live-sessions from musicians we love. Their latest addition is LA-native bass-player Thundercat, who I should have to introduce to any of you. Outside of his solo-work, he has gained a great following in recent years through his collaborations with Flying Lotus, Erykah Badu and Kendrick Lamar.
With “Moonbuilding 2073 AD”, legendary The Orb released one of the biggest surprises of the year (as in surprisingly good) on Cologne’s Kompakt label. If you haven’t given it a try before, please do so, it’s among my favourites for the year. There will be more surprises. The smaller one the mere fact that there will be a remix EP, the bigger one that one the remixes is coming out of sunny Los Angeles, courtesy of Brainfeeder-signed and long-time favourite Teebs.
No other remixers have been revealed as of now, neither the name of the remix EP. What we do know though is the release date and that’s on October 2nd, 2015. Keep your eyes peeled!
Playing with mystery is as old as art itself. And even when the mysterious isn’t the subject of art, the person behind the artwork has often become the mystery. From the writer picking a pen name to the performer cloaking his identity, it has been done for a long time. Yet, it feels like in recent years there has been an increase of this phenomenon, in particular the use of masks has become more of a gimmick, a marketing tool to increase the interest in or the awareness about an artist. As you can question the motives of an artist, what’s so comforting for the follower to reveal who is using a new name, a new face? Why do we seek the safety-net of a tracklist when it’s more adventurous to listen to something new and unheard, without prejudice?
Well, I don’t necessarily want to be part of that speculation, but it seems the internet has already decided about the true identity of Levantis. Though (or because) I have heard the same said about Rezzett, or in fact quite a number of artists on Trilogy Tapes, I don’t give much of a fuck. Let’s stick to what’s there, and so far there isn’t much more than a mostexcellent EP released on the said label. Earlier this week, Ninja Tune affiliate label Technicolour revealed its first album release, the 11-track “Romantic Psychology 1” by —you guessed it— the oh-so-mysterious Levantis. You can listen to a first track above, but I’m sure before its release on October 30th, there will be plenty more to be revealed.
We have neglected our podcast series for way too long and are more than happy to bring it back with an interview and guestmix from Berlin-based Canadian Mike Davis, a young producer we got to know through his release on the Sector 12/12 label.
Hello Mike Davis. You released your first EP on Sector 12/12 last year and that’s pretty much everything I know about you. Why don’t you start introducing yourself to our readers?
Sure, I’m Mike, an unknown electronic musician, who moved from Toronto to Berlin in 2012 to study in the Humboldt University and also find out what electronic could really means to me. I was DJing in Toronto as part of a crew & party called the Deep North, and decided Berlin was where I’d like to grow musically, rather than wait (or hope) for a big release or something before coming here, like many artists do. The three year anniversary of my arrival was just the other day actually, and I’ve since finished studying, put out a couple records, a tape, and co-founded Carousel and a label of my own, Brenda.
How long have you been making tracks and how did that all come together on Baniza?
For only four or five years, maybe two years or less in a serious way, and even less in a relatively calculated way. Only recently have I developed a technique from which I can, to some degree, truly realize ideas. It terms of that coming together for Baniza, it exists early in that process, the tracks are all around two years old, experiments with limited resources and techniques, simply exploring sound and writing some music along the way. The alternate versions of all the tracks on the EP might better illustrate it, but the project is a mess. I think even my old computer failed at some point and I had to remake some of it, I was just pleased that Sector12/12 wanted to release it. It was completed after a bike journey from Berlin to Sofia. There I became acquainted with the baniza, a traditional Bulgarian pastry. It’s not really nice looking, quite messy, wants nothing but to fall apart, but tastes good… so I believe that EP is a baniza.
Do you remember what sparked your interest to make music?
It originated pretty early, I suppose due to my parents. They put me in piano lessons as a kid, and I remember making terrible music on my dad’s Yamaha CS01 and MR-10 drum machine maybe around 8 or 9 years old. High-school in the late 90s brought all that was 90s and my first guitar, a birthday present from my dad. In college I played drums and bass in some punk projects, but nothing too serious. Eventually I became disillusioned with bands. Between jamming and beer drinking, creating was often challenging, so I was drawn to electronic music. I could produce on my terms, ideas and execution are completely up to me, I like that.
Having moved from one continent to the other, how has that influenced your image about electronic music? Are there still that many differences in culture in this globalized world?
That’s difficult to answer, as the move was still quite early in this budding career, I suppose it played a more developmental role than an influential one. Berlin has shaped me more than Europe, outside of Toronto I’ve only played in Germany and France, so there’s still much I need to experience. The accessibility here in Berlin has continually been a motivator, being a more vibrant and tangible scene has made it easier to reconcile the energy input. It’s not just felt at parties… record shops, rehearsal spaces aren’t 90% rock bands, even the small bars and cafes have decks, [ebay] kleinanzeigen is full of gear, albums and events are advertised in public transit, it’s hard not to feel it being part of the social fabric.
What are you future plans for the record labels and your own music in general, is there anything we can look out for?
Well Owen and I are currently working out details for CRSL002, hopefully will be out in 2015. We’re at the same time growing Carousel into a record shop which will soon be operational as an online shop, with the plan to go physical once it makes sense. It will be carefully curated music, nothing we plan to take over the scene with, of course. The second Brenda record, another 12″ from CNCPT, just came out a few weeks ago and I believe is pretty much sold out everywhere it was available, which is good. The third will also come out before the year is over. Personally, I’ve got a couple of collaborative projects actually. One with Owen on his other label Shades later this year, and another with part of my Deep North family Dan (as Jerry Riggs), I’m in on two tracks on his upcoming Run Out Run release.
Tell us about the mix you made
Yeah, as you know, it was not the first one I sent you, but the delay between recording and releasing had me always tiring of what I recorded. Anyway what I’ve settled on are some recent finds and some older stuff selected spontaneously while recording. Nothing so deeply planned, very Baniza.
Download | Subscribe (iTunes)01. Michael Holman – Gauntlet of Wriggly’s
02. Steve Moore – Logotone
03. Burnt Friedman & Jaki Liebezeit – 124 0 09 (played at 33rpm)
04. Chra – Landmine
05. Dorisburg – Splade
06. Devianza – I Droni A Torvijanica
07. Vakula – Life Internal Sounds
08. Green Gums – Zozomono
09. Beat Detectives – Somethin’s Rippin
10. Bookworms – Exotic Auto Boutique
11. Broken English Club – Glass
12. Mistake Made – Loaded Memory
13. Charlie – Spacer Woman
14. Hiver – Vorticism
15. Obtane – Tericore
16. Johan Hansson – Vassvik
17. Jatoma – Helix
18. Roll The Dice meets Pole – Echo Hands (played at 33rpm)
19. Lena Platonos – Love in Summer
20. Moon B – Moments in Slank